Literature 1A and Literature 2, or equivalent.
This course gives students the opportunity to explore seven of the most fascinating and powerful of English novels. Prose fiction in nineteenth-century Britain was arguably the most vital and popular literary form of the period. The course takes in: a rightly famous romantically-tinged social comedy by Jane Austen; Frankenstein, Strange Case of Doctor Jekyll and Mister Hyde, and The Turn of the Screw, three sensational Gothic classics by Mary Shelley, Robert Louis Stevenson, and Henry James; one of the greatest of all ‘romantic novels, Wuthering Heights; Dickens’s masterly novel of city life and guilty secrets, Great Expectations; George Eliot’s magnificent novel of English society, Middlemarch; and Thomas Hardy’s brilliant tragedy of rural life, Tess of the D’Urbervilles. The fictions we shall study occupy the fertile space between popular culture and high art. The course examines and investigates questions of individual identity, the social possibilities open to women, friendship, family, love and desire, death, science, good and evil, the relations between the rich and the poor, the city, and the value of life.
Course objective 1: This course will extend and deepen the power of students’ literary critical analysis through in-depth consideration of texts.
Course objective 2: Students will explore critical debates central to the literature of the nineteenth century.
Course objective 3: The course will also aim to extend the students’ skills in the reading of narrative and the understanding of the relationship of a text to its cultural/social context.
Course objective 4: Students will be encouraged to share analytical and critical views on the texts ascribed in class discussion, including, where needed, short presentations, and will focus research skills in the writing of a final essay.
Course objective 5: This essay will be on a relevant subject of their own choice within the parameters of the course, and will further extend the students’ critical skills and their ability to produce good, clear writing.
Course objective 6: A final exam will test students’ knowledge of the literature of the period, and give them an opportunity to display their insight, their familiarity with the texts, and the range of their critical ideas.
The timetables are available through My Timetable.
Mode of instruction
Research (Independent study by the student)
Essay(s): two essays of 1200 words; or, one longer essay on a comparative subject (dealing with at least two texts featured on the syllabus) of 2500 words. The essay/s is/are due in at the start of the exam period. Students who wish to do so may hand in the first short essay as a mid-term on the Monday following the study week.
Final Exam: this exam will feature questions about the literature on the syllabus. The questions are designed to allow students to formulate informative answers based on critical insight into Romantic and Victorian literature and knowledge of the various important contexts gained during the tutorial discussion and individual study.
Students are graded according to the following criteria: the depth and sophistication (and to some extent, the originality) of their analysis; the extent to which their essays argue a coherent case; the clarity and coherence of the structure; the sophistication, correctness and articulacy of the writing and the ability to produce formal academic prose; the intelligent use of a good range of relevant secondary material.
Attendance is compulsory. Missing more than two tutorials means that students will be excluded from the tutorials. Unauthorized absence also applies to being unprepared, not participating and/or not bringing the relevant course materials to class.
Essay(s) (50%): two essays of 1200 words (25% each); or, one longer essay of 2500 words (50%).
Final Exam (50%)
Only if the final grade is 5.0 or lower the students can do a resit.
Regular attendance, preparation for the class and participation in it are required elements of this course.
Inspection and feedback
Students will receive feedback directly regarding their essay/s, and can arrange to meet with their seminar tutor to discuss their exams.
Austen, Jane. Pride and Prejudice (1813) (Penguin Classics).
Shelley, Mary. Frankenstein (1818; 1831) (Penguin Classics).
Brontë, Emily. Wuthering Heights (1847) (Oxford World Classics or Penguin Classics).
Dickens, Charles. Great Expectations (1860-61) (Penguin Classics).
Eliot, George. Middlemarch (1870-71) (Penguin Classics or Oxford World Classics).
Thomas Hardy, *Tess of the D’Urbervilles *(1891) (Penguin Classics).
Robert Louis Stevenson, Strange Case of Doctor Jekyll and Mister Hyde and Other Tales (1886) (ed. Roger Luckhurst) (Oxford World Classics)
Henry James, The Turn of the Screw (Penguin Classics)
Enrolment through uSis is mandatory.
General information about uSis is available on the website
Registration Studeren à la carte and Contractonderwijs Registration
Registration Studeren à la carte
For substantive questions, contact the lecturer listed in the right information bar.
For questions about enrolment, admission, etc, contact the Student administration Arsenaal
You must read for the first seminar, the whole of Jane Austen’s Pride and Prejudice.