A relevant BA degree. If in doubt, please contact the study adviser:ms. L.L.J. Kouters MA
“European Modernism” is optional for students from all specialisation tracks in Literary Studies, and offers an overview of Modernism in theory and practice in four major Western European literatures : English, French, German, and Italian, from approx. 1890 to 1940. After a general introductory lecture, the texts of these literatures will be approached in blocks of 2- 3 classes as being part of a language-bound cultural (and socio-historical) context, but will also be studied as part of a European network with a long and fruitful creative tradition, as Modernism is noted for its international dynamics. Keywords of this period are, among others, “subjectivity”, ‘the unconscious”, “epistemology”, “urbanization”, “empire” and “technology”. Next to a focus on the formal and (at times highly) experimental aspects of Modernist texts, this literature will be studied in a larger context (developments in the fields of science and the arts, social and political developments). The course will end with a discussion of the legacy of Modernism.
students will have a thorough insight into the notion and theory of European Modernism;
students will have knowledge of a canonic corpus of European literary texts and of their interconnections;
students will have knowledge of the contemporary debate about Modernism;
students will be able to analyze and comment upon specific literary texts, using current theoretical approaches;
students will be able to present their acquired knowledge and understanding in oral interventions, in written assignments and in a final research paper at a high intellectual and linguistic level.
The timetables are available through My Timetable.
Mode of instruction
Two-hour lecture weekly.
Final research paper (4000-5000 words)
Two written assignments (± 1000 words each)
Oral group presentation
The course is divided into 4 blocks of 2- 3 weeks each
There will be an assignment during midterm week and one at the end of term
Final research paper: 70%
Two written assignments: 20% (10% each)
Oral presentation: 10%
Please note that one needs to have a sufficient mark (6.0 or higher) for the final research paper in order to pass the course.
In case of an insuffient final grade, only the final paper may be revised.
Inspection and feedback
How and when an exam review will take place will be disclosed together with the publication of the exam results at the latest. If a student requests a review within 30 days after publication of the exam results, an exam review will have to be organized.
Pericles Lewis, ed, The Cambridge Companion to European Modernism (2011); available electronically via UB Leiden
James Joyce, A Portrait of the Artist as a Young Man (Penguin)
Virginia Woolf, Mrs Dalloway (Penguin)
Alfred Döblin, Berlin Alexanderplatz (Penguin) or the German original
Marcel Proust, The Way by Swann’s (In Search of Lost Time, vol. 1), transl. Lydia Davis, Penguin Books, 2003: parts I and III (‘Combray’ and “Place names: the name”) or the French original: Du côté de chez Swann (Garnier Flammarion)
-Nathalie Sarraute, Tropisms (New Directions Publishing Company, 2015) or the French original: Tropismes(Minuit).
-Luigi Pirandello, The Late Mattia Pascal. Translated by William Weaver. Eridanos Press, c.1987 / Paperback – November 30, 2004 or in Dutch translation: Wijlen Mattia Pascal. Amsterdam : Coppens & Frenks, 2007 (or paperback, Singel Uitgevers)
-Italo Svevo, Zeno's Conscience. Translated by William Weaver. New York: Vintage International, 2001; or in Dutch translation: Bekentenissen van Zeno, vertaald door Jenny Tuin. Athenaeum - Polak & van Gennep.
Enrolment through uSis is mandatory.
General information about uSis is available on the website.
Registration Studeren à la carte en Contractonderwijs
For substantive questions, contact the lecturer listed in the right information bar.
For questions about enrolment, admission, etc, contact the Education Administration Office: Arsenaal
The literary texts will be taught in the following order:
First block: Joyce, Woolf, Döblin;
Second block: Proust, Sarraute, Svevo, Pirandello.