Description
In the first half of the 20th century museums played a crucial role in the representation and canonization of modern art. As authoritative institutions they shaped the history of modern art by what they collected, how they classified and presented their collections and by providing space for experimentation in art and exhibition design. In this course these processes will be examined as well as the interaction between the museum and the living artist during the period 1900 – 1960’s. Examples of museum collections, exhibitions and publications will be studied and the role that the various actors played in the interpretation of modern art will be analyzed. In the introductory lectures different approaches to these ‘objects’ of investigation will be discussed, after which students will present their own selected topic in the last sessions of the seminar.
Teaching method
Seminar meetings
Admission requirements
See Art History program guide and Exam regulations
Course objectives
This course aims to explore – and provide insight into – the complex issues and critical debates of canonization and representation of modern art. Students will develop their research skills in analyzing relevant topics and various approaches within the parameters of the course. Through participation in class discussion and oral presentations, students’ debating and presentation skills will be further developed.
Course load
10 ects
Required reading
To be announced
Test method
Oral presentation and Paper
Time table
Check the MA timetable on the Internet.
Information
Academic content, Dr. M.A. Leigh:
m.a.leigh@hum.leidenuniv.nl
Study coordinator MA:
stucokg@hum.leidenuniv.nl
Study coordinator Res. MA:
b.p.m.dongelmans@hum.leidenuniv.nl
Registration
U-twist
Blackboard
na
Remarks
na