Prospectus

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Topical Course: Artivism

Course
2024-2025

Admission requirements

There are no additional requirements.

Description

There are no additional requirements.

This course will consider the ways that artistic practices are employed to activist ends. Many artists are motivated generally by the desire to change mentalities and broaden the imagination of their societies, but some deploy their artistic practice vigorously in the service of social and political change.
We will study theoretical frameworks regarding the role and function of art in society to better understand these special characteristics of “artivism.” We will review significant activist-oriented art movements such as the 1970s feminist art, 1980s Black British art, and a growing range of “art for social change” groups advocating for Indigenous rights, marginalized sexualities, anti-war and globalization, and so on. These movements will be contextualised within a history of the relationship between activism and art.

These participatory and community-based arts initiatives will be examined to learn how these movements relate to other artistic trends occurring at the time. Furthermore, the course will investigate the on-going and dynamic exchange between artistic practices and contemporary activist tactics including strategic in-person public demonstrations (e.g. women’s march posters) as well as embracing the capacities and opportunities of digital media and of technological and networked infrastructures.

What emerges is a range of strategies for creative dissent and societal action that combine the affordances of (digital) media with the artistic idiom and the activist agenda. The course will examine relevant tools and platforms (e.g. culture jamming and social media), influential ideologies (e.g. the DIY ethic, craft, social justice) and a broad range of strategies for action in online and urban settings, from hacktivism to creative dissent to performative interventions, with examples from a variety of contexts worldwide.
Eventually, students will design, implement and reflect upon their own creative intervention.

Course objectives

  • Students develop a theoretical framework to be able to understand activist-oriented art and its cultural implications and to be able to situate debates about the arts in society within this framework.

  • Students develop the skillset necessary to analyse case studies from a cultural, visual, and (trans)media perspective

  • Students learn to reflect on the social and cultural significance of art making, and protest.

  • Students learn to reflect on the social and cultural significance of artivist practices as part of our mediatised society

  • Students develop the skills to work individually on research and creatively in teams.

Timetable

The timetables are available through My Timetable.

Mode of instruction

Lecture

Assessment method

Assessment

  • Oral presentation

  • Paper

  • Oral presentation of creative reflection (pass/fail; required to pass the course)

Weighing

  • Oral presentation (30%)

  • Paper (70%)

The weighted average must be a passing grade (5.5 or higher). Additionally, the paper (70%) should be at least a pass (5.5 or higher).

Resit

A resit/ rewrite can be done for the constituent examination (paper 70%) if it is not passed. Students who also fail the oral presentation of creative reflection will have to write a larger final paper. As far as applicable all resits/ rewrites take place at the same time, after the final (constituent) examination.

Inspection and feedback

Students will receive ample feedback on their presentation and paper. If a student requests a review within 30 days after publication of the exam results, an exam review will have to be organized.

Reading list

To be announced

Registration

Enrolment through MyStudyMap is mandatory.
General information about course and exam enrolment is available on the website

Registration À la carte education, Contract teaching and Exchange

Information for those interested in taking this course in context of À la carte education (without taking examinations), eg. about costs, registration and conditions.

Information for those interested in taking this course in context of Contract teaching (with taking examinations), eg. about costs, registration and conditions.
For the registration of exchange students contact Humanities International Office.

Contact

  • For substantive questions, contact the lecturer listed in the right information bar.

  • For questions about enrolment, admission, etc, contact the Student administration Arsenaal

Remarks

N/A