This course aims at discussing identity constructions in the intertextual dialogue (and sometimes conflict) of past and present ‘stories’ retold or implicated as background in African films. The course will illustrate continuity and distance between the celebration of Africa on the eve of independence and more recent filmic perspectives and themes on African realities. The module is given by a short presentation (15 minutes), watching the film, pause, 30 minutes presentation/discussion.
Timetable
Tuesdays 15:00-18:45, Timetable
Method of Instruction
seminar
A la carte and contract teaching
no
Examination
The students are expected to present and write down a paper on a film.
Overview
Introduction: African films and documentaries
How to look at films: narratology and films
How to look at films: Adama Drabo: Ta dona!
Africa and colonialism through the eyes of Sembène Ousmane: Camp de Tiaroye
Africa and colonialism through the eyes of Raymond Zola Maseko: The life and times of Sara Baartman
African independences through the eyes of Sembène Ousmane: Xala
African independences through the eyes of Ingrid Sinclair: Flame!
Pause
African past and present times through the eyes of Cheick Oumar Sissoko: Guimba
African past and present times through the eyes of Cheick Oumar Sissoko: La Genèse
African past and present times through the eyes of Meddour, Azzedine: La montagne de Baya
African past and present times through the eyes of Jean-Marie Teno: Afrique je te plumerai
African past and present times through the eyes of Tsitsi Dangarembga: High hopes
African past and present times through the eyes of Nkosinathi Biko: Steve Bantu Biko; beacon of hope
PS. The list of films can vary when there are guest lectures