The methods used in the Institute of Sonology’s analogue studio are inseparably linked to a serial approach to composition. Whereas with serially composed instrumental music the musical dimensions such as pitch, duration and dynamics are treated as separate parameters, with serial electronic music the sound is also broken down according to various parameters. While that is a fairly abstract phenomenon in computer music, in an analogue studio the parameters of sound structures are visible and tangible: the individual ‘modules’ of the analogue system have specific functions that are combined into a greater whole by means of control voltage. The links between the modules are not programmed but created physically with cables on a patch board. The planning and analysis of such configurations is the main subject of the lessons in the analogue studio.
Date, time and location
Room BEA 5, Royal Conservatoire, Juliana van Stolberglaan 1, 2595 CA Den Haag, 070 315 15 15
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